Wednesday, 30 October 2019

Te Reo Sing-a-long

Sharon Holt's koha to our school  (Kat & Georgia)

Pronunciation

The vowels are the basis for pronunciation for te reo Maaori.

ta/ma/ri/ki -  a break after every vowel
rolling of the 'R r's 
Ng - sounds like the end of sing
Wh - f sound
Use the ha ka ma song to practice the vowel sounds


Wa/nga/nui or Wha/nga/nui preference spelled with the wh, but said without the h

a e i o u     short sound

ā ē ī ō ū     long sound

Every Maaori word ends with a vowel.

The spirit flows along with the sound of the vowel.


ta  te  ti   to   tu

Ta, te to - flat sound, teeth touching teeth, like you have a pierced tongue
ti, tu more like English sounding t eg have a cup of tea for two
      a       e      i      o     u
a    aa     ae    ai    ao   au
e    ea     ee    ei    eo   eu
i     ia      ie      ii     io    iu
o    oa     oe    oi    oo   ou
u    ua     ue    ui    uo   uu

    




Practice place names. Road signs are a good place to start. 

Tau/pi/ri              Matamata
Tau/po                Ta/ma/ki/ma/kau/rau
Tau/ra/nga/         Wha/ta/wha/ta/

Kōwhai  - (whai like kai)

Kau/ri   -  like Cody

tōta/ra  - 

Te reo is blossoming. 
These are times of change.
You are part of the change... 
You are the change!!



Monday, 2 September 2019

Kaahui Ako Conference: Workshop 3

Digital tools for Writing - Collaboratively
Kauri Team - Jude, Kat, and Catherine

Google Drive

Digi-Modelling the purpose of the traditional (scrapbook) modelling Book:

  • records the evidence and learning of each lesson
  • can see student learning and voice.


Pobble
Digi-modelling books
Google Docs
Digital storytelling
Adobe Spark
https://bit.ly/2PDpuCHSlideshow
https://tinyurl.com/yxmnzxz6






Monday, 29 April 2019

Kaahui Ako conference 2019

Kathryn Berkett

The Neuroscience of Self Care 
Putting yourself first-why we need to...
29th April 2019

  • teachers need to stop and think about themselves
  • there is a higher level of need to attune to our kids
  • keep yourself calm
  • learn how to relax
  • how to deal with stress response
  • we are human beings and get things wrong
RED/Green Brain & the Sandpapered Brain
Red/ green Brain

Reactive  -  Rational

Sandpaper Brain

Perfect Practice makes Perfect

  1. Identify what calms you
  2. Do that until you create a physiological calm state in your body
  3. Condition this moment
  4. Practice, practice, practice


Deep Breathing

  • to bring ourselves into that calm we need
  • teach ourselves to breathe






Kaahui Ako Conference Workshop 2


Workshop 2 Maaori achievement, engagement & education - Wharenui 

De-mystifying the idea of culturally responsive pedagogy for the purpose of increasing engagement - a personal opinion
Nā Toti West

What is culture?
  • Maaori learning as Maaori what does "as Maaori" mean?
  • Maaori identity is not a box, it's a spectrum
  • Maaori identity is not so simple ...it can be a choice,                                                     it can be a sense of belonging
What is responsive?
  • responding to the needs of the person that walks through your door... eg. not using the same 10-year-old lesson plans - that isn't responsive to what is in front of you right now.
  • Not every Maaori student has the same "cultural" needs...
So how do you be culturally responsive?
  • There is no " one strategy fits all"
  • Focussing on strategies to be culturally responsive is often hard work, confusing, and deflating when you try your best  and are told
Culturally Responsive Pedagogy
  • know the student - who are they? what makes them?
  • teaching with empathy - understanding how your interactions will affect the student, especially their perception of their own self-worth
  • The student needs to understand that he or she and their identity is valued and important - start with relationships.
  • involve the whaanau
  • foster an empowering sense of self-worth, belonging and identity
Culturally Responsive Pedagogy - the magic answer for engagement

  • you are not going to be able to connect with every student, so have strategies ready to deal with this and promote productive relationships nonetheless
  • the same actions, in the same contexts, with similar personalities, will likely give you similar results
  • Kura Maaori the answer for Maaori students
Maaori engagement - much bigger than one person
  • become the catalyst for change in your sphere of influence
  • engage in professional conversations
  • meaning well vs doing well
  • just because something has a Maaori name, it doesn't make it Maaori
  • always challenge yourself to be better






Kahui Ako Conference Workshop 1

Workshop 1 Special needs in literacy- dyslexia, struggling literacy learners, STEPS.

Cathy Baine & Bernie Dobbyn & Darren Cutler

Cathy Baine
STEPS

  • Dyslexics have 10% more brain than others.
  • Neurons travel from the right to the left brain
  • Can hear and isolate sounds but find it difficult to write down letters
  • have trouble storing knowledge in the long term memory
Sound is crucial in letter recognition to support reading and writing for dyslexics


Bernie Dobbyn
Memory complications
Research shows:
An average reader needs only 4 - 10 exposures to a word and fix it into 
long-term memory.
 
A dyslexic learner may need 500-1300 exposures!

Multi-sensory

Darren Culler

1 in 7 people has a learning difference
80% = 2.5yrs
V A K/T

Entrance Testing
Lucid - Cognition
  • Sequential memory
  • Visual Discrimination 
  • Visual memory
  • Auditory Discrimination
  • Phonemic Awareness
  • Reasoning Ability


















Kahui Ako Conference 2019

29/04/19

Keynote: Dr Melinda Webber
Ngaapuhi  & Te Arawa

"Optimising Maaori success and potential"

Ukaipo - a place of belonging

What should success look like?

  • Need to acknowledge the identity
  • maaori students know they are descended from ancestral heroes
  • whakapapa
Stereotype Threat ( Steele, 1997)
Durie,1997, p156

Stereotype threat is the fear

Stop being Maaori or stop being Smart?

Maaori students need access to programmes of learning that affirm and promote Maaori theories, Maaori knowledge, Maaori heroes/role models and Maaori worldview.

To whakamana - maaori students

Different contexts demand different behaviours.
Localised differences

Key research questions
  1. How does Te Arawa define Maaori success?
  2. In what ways fo whaanau, teachers and the wider Te Arawa community foster conditions that enable success to manifest?
  3. How is mana enacted by Te Arawa students? To what effect?
Ask students about someone that inspires them and describe that person in five words?

Embedded achievement- I am a success because I'm Maaori.

Maui - nanakia - cheeky
Need to see the mana in every child.
Quality 2
Successful Maaori students are diligent and have an internal locus of control.

Characteristics
Patience, commitment and a sacrifice of time and effort; an ability to overcome difficulties; resolute confidence often balanced with a quiet, 

Quality 3
Successful Maaori students learn how to nurture strong relationships.

Characteristics
The ability to sustain relationships that are premised on a balance of assertiveness and warmth (manaaki) because this provides sustenance for the inner person.
  • encouraging
  • willing to learn from others
  • wiling to mentor others
  • aware of their 

Quality 4
Successful Maaori students are curious and innovative

Characteristics
An enquiring mind which probes, draws conclusions and makes associations; an exploratory orientation that is exploited in social and academic activities.

Application to school & work
  • courageous
  • competitive
  • curious
Quality 5
Successful Maaori students look after their wellbeing.

Attention to physical, spiritual and mental health needs that are needed to flourish at school, affirming the inexplicable link between wellness and learning.

Quality 6
Successful Maaori students are committed to advancing their own knowledge. They are scholars who know where they want to go and persevere to achieve their goals.

An aptitude for things scholarly and commitment to excellence is evident. An intrinsic desire to learn and an innate curiosity.

Application to school & work
  • can apply themselves
  • driven
  • purposeful
  • aspirational
Coming home and being in-service to their whaanau is important to Maaori students.

Quality 7
Successful Maaori students possess humility

Characteristics
A quality which is often a cultural point difference because it is about service to others, generosity of spirit and putting others before the self

  • puts others before self
  • accept criticism
  • work in service to others
  • team player

Quality 8

Successful Maaori students understand core Maaori values

An ability to model the most meaningful qualities in Maaori culture, portrayed by way of Aroha (love) manaaki (care) and wairua (spirituality)

Application to school & work
Manaakitanga - ability to care and be hospitable to others
Kotahitanga - ability to commit to a kaupapa/vision
Wairuatanga - moral compass and sense of social justice

The Mana Model- Macfarlane, Webber, Cookson-cox, & McRae (2014)

Mana Tangatarua       the skill, knowledge and confidence to          
                                   navigate success in two (or more) worlds
Mana Tuu 
Mana Motuhake
Mana ūkaipō                Belonging and connection to place
Mana Whaanau

New study: Project
Kia tuu rangatira ai ngaa iwi Maaori: living, succeeding, and thriving as Iwi Maaori.



















Tuesday, 2 April 2019

Seed Learning PL

Seed Learning - Lisa Smith
2.4.19

Seed learning is not a programme.
Seed learning is a bunch of tools to support Literacy and Numeracy. The tools teach and progress the learning.

Spelling is part of our curriculum but is not a curriculum on its own.
We are accountable for the development of spelling.

Rhyme and syllables are critical to literacy

Code: with you - preview - review

Sounds first not letters: "what sound does that spell"

K or C
First, we teach the letter C and then K

Morphemes - chunks of meaning that stay the same

Rockets 1 to 4 are well developed

Word strips
Strip it
Plump it
Reorder it
Sharpen it

We are learning to control and manipulate sentences.

The reading group should be the same as your writing group so they are getting the same teaching and learning in both models.


Wednesday, 30 January 2019

Developing an Effective Writing Programme PT 2

Suggested wrap-up sequence
1. Project the student's work
2. The student reads their writing. teacher/students give positive
    feedback.
3. The teacher chooses one thing from the checklist to review in
     the student's writing (stars and a wish)
4. Students review the same thing in their writing and make 
    improvements if necessary (stars and a wish).

Organising Ideas

Ways to organise ideas

  • discussion
  • list or notes
  • Success criteria
  • talking frames-speak in sentences before writing in sentences
  • picture plans - put a timer on to do a quick sketch
  • brainstorms
  • symbols- adding detail
  • T charts/ Y charts 
  • Planning sheets- can use post it's as part of their planning

(Images are very good for at-risk writers)














Mini Lesson



Words: Teaching Adjectives brainstormed nouns 















































Developing an Effective Writing Programme: Sheena Cameron

Developing-an-Effective-Writing-Programme

Wednesday 30 January 2019
Session 1

Welcome from Sheena and Louise


Write one sentence. do not use letter 'e'. Lipogram
Slide 4. Discuss purpose and audience with students before writing. Why am I writing this? and who am I writing for?



The Hamburger Model



Supporting students to transfer their knowledge Toolkit to new writing purposes. pg 31





Grouping for writing

1. Set days for groups (mixed ability or same level)

Year 3 is a good time to introduce self-checking.
- really simplify things down eg. work on one sentence especially for Maaori and Pasifika students. Make feedback visible to them.


2. Students grouped for a specific purpose (check-in or longer session).

Setting goals - be specific 


3. Mini-lessons for students 

4. Writers' group share and enjoy their writing.

Text types are important. Be spontaneous use other writing forms. This is fun for students to explore different types of writing forms eg. diaries, blogs, letters, biographies

"Once upon a Slime": Andy Griffiths - other text types

Session 2

Writing Lessons - chapter 5

How to organise a writing lesson: pg 52

A suggested sequence for teaching writing.



1. Lesson introduction  15mins
2 Independent writing (guided) 20 mins
3. Lesson wrap-up  10 mins

This is a recommendation not set in concrete.

  • Keep the introduction simple and not too long.
  • One group a day is really achievable.
  • You will achieve a lot more in a Review when you come together in a group. Be comfortable when students are not finished. Don't wait for students to finish.
  • It's a good time to look at work during the wrap-up and feedback and set goals for the next writing lesson.
Chunk the task

One day and one piece of writing. 

Eg. 
Day 1.  Planning Sheet
Day 2.  

Generating Ideas
Resouces:


Note taking and videos

Note taking is a really good thing to do with students. This helps them to capture ideas and useful language while viewing a video.

"Simple little pearlers from our note taking" - sharing ideas

Moment in time- setting description, character description Advice for the character, retelling, Innovation, Introduction/ conclusion.
eg. Setting T Chart pm14

Drama
  • inputting rich oral language
  • getting them to experience the learning
  • gets everyone moving
  • unlocks imagination
  • acting out stories
  • supports their understanding
Talk Topic
  • would you rather questions from Oral language Book
  • choose your own topic
  • a picture every day

Clear criteria and challenge
  • learning intention sets the scene
  • success criteria- unpacking

Writing down learning intention or Succes criteria is not necessary.
The key idea: do students know what they are learning and why

Keep the criteria very Visual for students. Far more powerful than writing it down. Make it Memorable -not too many things.
Lots of oral language is important to set them up. eg.

Goals for emergent writers
Checklist for today's writers - yr3/4



Criteria-example-  Detailed icons
Disgusting dinner


Exemplars
One sentence exemplars-can co-construct

The Hook Book
Introducing an Exemplar

Independent Writing

Don't have students lining up with their books waiting to be seen have them put their books on the carpet when they have finished.


Establishing routines and expectations
Give student activities once they complete their writing eg.
  • spelling
  • writing a shopping lists
Self Checking






Lesson Wrap 
the wrap up could:
Model and teach the Self check (proofread)
or Model and teach the partner check
or review one Criteria from the lesson.